Who knew that Kongorikishi (Aka nio) was the one to protect Buddha while the latter's visit to India. Who even knew that Buddha would have to be "protected" in his own birthplace - the place that he first preached at. It took me a visit to this museum at the Smithsonian to realize all that. There is this beautiful tall statue of Kongorikishi and his brother, who ruled the two kingdoms in Japan, and helped Buddha in spreading his message.
After taking a look at this fabulous collection of Asian arts in the Smithsonian institution, I visited other museums in the area. All of these museums are free to public. Looking at these museums you can easily tell that they still don’t run out of funds at all.
I took special note of Thomas Wilmer Dewing, a nineteenth century artist who has some naturalist expressions of the female. It was quite interesting to see Algernon Charles Swinburne advocating the oil paintings of James Mcneill Whistler which promoted a euphoric stance in philosophy - aestheticism.
“Frida Kahlo” painted by Alfredo Arrequin was captivating. After looking at some of these great paintings by John Alexander, I would start to consider him one of the greatest painters of our times. His allegory of double life has been used in a lot of paintings (the most simply depicted in his work – the man of two lives) (http://johnalexanderstudio.com/main/prev/106?page=4 )
Jasper Francis Crospey was the land scape artist for the day. The other most interesting landscape artists was Robert Duncanson. Angel by Abbott Handerson Thayer appeared to be the most accurate depiction of an angel to me so far.
The real size piano by Thomas Wilmer Dewing is enchantingly beautiful. So are his other paintings. The landscape by Albert Bierstadt was a surrealistically pleasant depiction of nature’s beauty. One cannot expect this kind of a reality except in fairy tales.
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