This was my second trip to MoMA. It is definitely the best of art museums I have been to. It is classy, appealing and very accessible. This is the first time I got to use my corporate membership (thanks to my job at JPMorgan) so there is some excitement that comes from that.
Anyways, the special tour this time was that of Latin American artists. I discoverd Leon Ferrari whose most drawing seemed to be with some drooping lines and what I might say - blobs. Technically they are called drip drawings. Then there was Gego - Gertrude Goldschmidt - who played around with distorted geometrical patterns. Interestingly some later works of Leon Ferrari appeared to have mixed theses blobs and geometrical patterns. Mira Schendel and Helio Oiticica despite their abundance at MoMA, didn't interest me much.
The Photography tour was especially interesting, because of my recent interest in it. I discovered George Bernard who has this style of introducing some kind of noise (an unsettling effct, rather) in some of his photographs. I thought that was very distinct. Of course, Ansel Adams had those really great shots of geysers being shown at MoMA (old faithful geyser). I saw some shots of these abandoned buildings by Paul strand which are probably the best of the lot. I am not into portrait-photography so much but Josef Koudelka had some of the greatest portraits I have seen. Probably because he uses background to convey some character as well.
On the top floor, the Painters garden (Etchings by Lycian Freud) has some really interesting impressionism-style paintings. Garden in winter exhibits a b&w dense and noisy painting style.
In retrospect, Jackson Pollock has similar characteristics to that of Leon Ferrari but he is a painter , of course and uses color (oil paint) more freely that Leon Ferrari can (him being a publishing artist).
Among some of the striking images were those Jean Dubuffet which had this metallic touch to. Soul of the underground looks like made from cast iron residues, actually. Other than those, there are some fine mesh drawings with pencil by Seurat that are full of grandeur despite their simple means.
Vasil Kandinsky and Martin Puryer were two other new artists I hadn't paid more attention to before.