Thursday, July 20, 2006

Need of culture

The social conditions of the aborigines became considerably worse when they were not allowed to relate to their cultural background, as their memories were fragmented and no landmarks were left on the basis of which they could narrate.


http://axess.se/english/2006/05/theme_svensson.php

Sunday, July 16, 2006

Junoon - almost a legend



Not active so much any more, but Junoon was indeed a phase in the lives of all of us who grew up at the end of last millenium.

Their journey into music is quite amusing. The Junoon would have been just another college rock band, trying to impress the college chicks, imitating their favorites icons from 60s and 70s, going hippy, and just enjoying with the target crowd of college-going pakistanis. But it was only when they started experimenting with the sufi music that they could reach the masses, crossing the boundaries of countries and ethnicities. It was all due to Brian, may be, if he hadn't unified the other guys, the band would have never become the phenomenon that it eventually became.

The innovation into the music was nothing spectacular, at least in terms of the musical rhetorics. The sufi music is well established in South Asia, just the way Rock is in the whole of West. A band made of college goers who had the usual dreams of getting to become the next led zep or guns and roses, aimed to express the soul of Pakistani music with all what they had. This was not to be encouraged too much in the islamist country they hailed from. But still the music clicked. With the rhythms in the harmonics of tabla, the deep and polished voice of ali azmat, and the really impressive bass lines by Brian, the band was ready to hit a huge market otherwise dominated by cheap Indian music that should be appropriately considered devoid of any art at all.

It wasn't hard for Junoon to get popular in India. The reasons were simple. There is and never was any rock scene in India. All the rock bands localized among the elites of big cities, popular not even in all the colleges of the city they were in. Rock in India, like in most of South Asia, was never about anti-establishment and world peace, or about ideal of freedom of human soul. Rock in india is yet another commodity imported from West, which neo-rich people show off to serve their elitist snobbery.

The mind of youth seeks escape from the norms of the world, and it found its expression in Junoon. The Junoon had expressed something as traditional and mystified as sufi music with western means, something that symbolically represented what the minds of those in the colonies are always trying to accompolish.

I haven't been so much of an ardent fan of Junoon, even though it remains a fact that the only reason I took up the task of reading Nastaliq script was because I was having trouble looking up for some of the lyrics of their song, and was really disappointed at the way the available lyrics were transliterated into Roman script. Transliterations or translations really don't help too much when you wish to feel the spirit of a language or a country and its people. That was my personal infatuation with Junoon. Once I felt what they meant, I knew that nothing what they said could be limited by countries and religions.

Monday, July 03, 2006

Woody Allen




Probably its only because of my stay in the US, I have started liking Woody Allen way too much. His cinema might not have transcended boundaries of this country, to get the acclaim that some more profound directors have got. But his movies make so much sense here, mirroring the American life as beautifully as possible.

Now his movies are not like most Americans actually watch. His movies are those art-movies, the ones an average American would watch once every ten movies or so. Not quite unexpectedly, Woody Allen has been heavily influenced by European cinema instead. The characters in his movies, though carved out sharply in the script, are not so much of an imagined portrait of someone you hadn't seen yet. His characters are not exceedingly different from the ones in our daily lives either... and that is probably why neither does one have to have the taste of art-cinema, nor does anyone even need to relate some complex idealism to reality in order to comprehend Allen's existentialism.

The most profound of things could have been said with a sense of humor in his movies. The dialogues and the actions in the movie like you would expect, are just as natural as what you see in the people from everyday life.

I just finished watching melinda and melinda, and liked the movie. Its not really so much of a popular movie but I find it to be a powerful depiction of the Western life - the critical situations which individual desires bring you into, and the shimmering relationships that try to address them. The whole movie, like a good fiction, is so fluid and so gripping, that it becomes an emotional experience in itself. You can't avoid starting to ponder over your own life, while thinking about what you could possibly do to help melinda.